Title: All The Hits All The Time: More Distinctive Rock Memories from the Coffman Collection
Author: Larry Coffman
Publisher: Newman Springs Publishing
ISBN: 979-8-89061-652-4
Genre: Non-fiction / Music / Rock and Roll History
Reviewed by: Margie Przybylski

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Larry Coffman’s All The Hits All The Time: More Distinctive Rock Memories from the Coffman Collection, is more than just a history of rock and roll; it’s an evocative, deeply personal tribute to the music that defined an era and continues to resonate across generations. Coffman invites readers on a journey down a mythical hallway, lined with images of rock legends, in an imaginative attempt to capture the breadth of rock music’s cultural impact. Each “display” in this mental corridor represents a star who contributed to the genre, and the journey Coffman describes is a nostalgic experience for anyone who has ever found themselves lost in music.

A particularly captivating aspect of the book is Coffman’s love for rock’s shared experiences. He illustrates how music creates common ground – even among strangers. In one anecdote, Coffman recalls a spontaneous moment with his golf buddies: they serenaded a neighbor’s birthday party with the Buckinghams’ hit “Susan,” creating an unexpected bond with complete strangers. This is followed by another story of a spontaneous musical connection on a cruise ship, where strangers completed each other’s lyrics to the Beatles’ “Come Together.” These moments underscore the timeless and unifying nature of rock music, capable of connecting people across backgrounds and generations.

Coffman’s reflections also delve into the personal relationships rock music has shaped for him. His friendship with Jim, who shares his passion for the songs of the 1960s and ’70s, is a testament to rock’s enduring influence. Coffman treasures introducing his younger friend to the classics, reinforcing the idea that music is a universal language, bridging age gaps and bringing people together. Conversely, his friendship with Phil shows how musical preferences are often influenced by upbringing and family ties, as Phil’s taste was shaped by his father’s love for classical and big band music. Coffman highlights how these early influences shape musical preferences, adding a layer of depth to his exploration of rock’s impact.

All the Hits All the Time goes beyond recounting chart-toppers; it’s an ode to the memorabilia and keepsakes that music fans treasure. Coffman fondly recalls the 33 rpm albums and 45 rpm singles with iconic album covers, recognizing that, for collectors, these items are more than just records – they’re relics that capture rock’s history and visual identity. This reverence for the physical aspects of music culture enriches Coffman’s perspective, showcasing his appreciation not only for the songs themselves but also for the tangible artifacts that serve as snapshots of rock history.

The book’s storytelling pulls readers right into each scene. His vivid, conversational style makes it feel as though the events are unfolding right before your eyes, making the book both irresistible and highly enjoyable – even if you’re not a die-hard rock and roll fan.

Coffman’s writing is steeped in a sense of wonder and nostalgia that will resonate with readers who share his passion for rock and roll. Through heartfelt memories and thoughtful musings, he conveys the power of music to evoke emotion, create community, and define one’s identity. Whether readers are long-time rock fans or new to the genre, All the Hits, All the Time offers a compelling reminder of how music can shape lives, inspire friendships, and bind people in unforgettable ways.

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